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main yahaan hoon

Apart from Mani, a wonderful team of Vikas Bhatwadekar, Victor Dantes and Padam Bhushan assisted me in the project and were a big support to me, as were Deepak Borkar and Vijay Jadhav, the original two musicians I worked with. The background score took a month of very concentrated effort. I didn’t know what they were looking for. If there are any mistakes in the Main Yahaan Hoon Lyrics from Veer Zaara, please let us know by submitting the corrections in the comments section below. Do Pal Lyrics — Veer Zaara. The singing legend of India who had sung for every composer in the last 60 years and who, with Madanji, created some immortal songs, was now indulging me!

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Sonu, Udit, Roop and Gurdas Mann were just hono obvious choices for the respective songs and all were so cooperative and eager to do their best! Who would even know, except my own conscience?

Main Yahaan Hoon

Even in the song “Main Yahaan Hoon” a full interlude was based on “laung gavacha” because the situation demanded it. In fact some of the musicians played in a film song after a long gap, as electronics have taken over largely. Such a big film’s score, with the biggest producer and director of India and with the biggest gahaan cast assembled in recent years – all on my slender shoulders!

Woodwinds, French horns, Mandolins, Santoor, Solo violin and of course the Indian flute all blended together in most songs. He was widely acknowledged as a great composer but big banners, films with big stars and popular awards always eluded him, and in fact this hurt him deeply. But I never allowed the thought of my father’s tunes to enter my mind as I had a lot to achieve in my new assignment and needed a single focus.


Yahaam there ayhaan any mistakes in the Main Yahaan Hoon Lyrics from Veer Zaara, please let maln know by submitting the corrections in the comments section below.

Main Yahaan Hoon lyrics

It would be so challenging for her to sing for Madanji again after 30 years This was something I had no experience in. At the same time, it had to sound modern and ‘today’, without taking away any of the essence of the tunes.

The songs were now ‘presentable’ as we did a few arrangements on them – all instinctive and with the help of one of the musicians, R.

And now my father and I were on test – my respected father was on test again, as it was important to hear if his melodies were relevant in today’s times!

As I listed out the probables, Yashji and Adi informed me that they wanted the sounds and arrangements of the dummy tracks – and only I should recreate these melodies with the three-member team that made the tracks with me. In a few days, they had selected 10 out of the 30 songs and assigned them to situations they had in their screenplay!

Various top composers names were suggested to me by some well-wishers. I was busy with my jobs in Polydor and HMV, producing and managing albums for the top artistes of India as well as discovering new talent and somewhere my fantasy remained just that. Dekhti, ho mujhe, dekhti ho jahaan Main yahaan hoon, yahaan hoon, yahaan hoon, yahaan Jaanam, dekh lo, mit gayi dooriyaan Main yahaan hoon, yahaan hoon, yahaan hoon, yahaan Kaisi sarhadein, kaisi majbooriyaan Main yahaan hoon, yahaan hoon, yahaan hoon, yahaan.

He said, ‘maybe 22 or 23! Most songs were situational.

MAIN YAHAAN HOON (VEER ZARA) – Lyrics and Music by Udit Narayan arranged by Mikhaela_Chocy | Smule

The lyrics of the song have been penned by Javed Akhtar. Veer Zaara Director: I guess they liked what they heard hon and told me they had found what yahasn were looking for.


And while hearing these tapes, I could even hear myself as a two-year toddler, in my father’s lap, making sounds, as he tried to compose 45 years ago. There was no time or opportunity to learn or dabble in music.

Mani, with whom I had worked often before on miscellaneous albums I had produced. We started a television company together and produced a program ‘Meri Awaz Suno’a talent show for new playback singers.

I had decided that most interludes in the songs would be other tunes of Madanji, as I wanted his stamp all over the score.

And I realize that all the tribulations were worth it – because, Dad, all this was ‘Tere Liye. When my father, the late composer Madan Mohan, passed away inhe was only 51 maiin old. I used some of these as interludes. However, I continued to fantasize that one day his unused compositions would be used in a big film with a top director, and the top stars of the day, and with Amitabh Bachchan and Hema Malini dancing to them – that his songs would be on the top of the charts again, and that he would win a popular award for the first time.

We used the trademark Madanji violins and of course the sitar as much as possible – and largely used acoustic sounds. A very emotional experience, and yet there was me, a complete novice, telling Lata Mangeshkar how to do a part of a song and she so maon doing it! It was a very emotional journey. I saw my father’s name on billboards at Leicester Square and Broadway.